{"id":27799,"date":"2026-03-06T00:00:26","date_gmt":"2026-03-05T22:00:26","guid":{"rendered":"https:\/\/hojassueltas.es\/?p=27799"},"modified":"2026-05-30T19:41:34","modified_gmt":"2026-05-30T17:41:34","slug":"cien-anos-de-la-generacion-del-27","status":"publish","type":"post","link":"https:\/\/hojassueltas.es\/?p=27799","title":{"rendered":"Cien a\u00f1os de la Generaci\u00f3n del 27"},"content":{"rendered":"<p>&nbsp;<\/p>\n<p align=\"justify\"><span style=\"font-family: Liberation Serif, serif;\"><span style=\"font-size: large;\">CIEN A\u00d1OS DE LA GENERACI\u00d3N DEL 27<\/span><\/span><\/p>\n<p align=\"justify\"><span style=\"font-family: Liberation Serif, serif;\"><span style=\"font-size: large;\">Alrededor de 1927 un grupo de escritores y artistas \u2014m\u00e1s red que bloque, m\u00e1s conversaci\u00f3n que escuela\u2014 convirti\u00f3 la tradici\u00f3n en un artefacto moderno. Un siglo despu\u00e9s, la Generaci\u00f3n del 27 sigue siendo una de las grandes cajas de resonancia de nuestra cultura: por su ambici\u00f3n formal, por su manera de mezclar lo popular y lo culto, por su impulso europe\u00edsta y, tambi\u00e9n, por la fractura que la historia impuso a esa energ\u00eda.<\/span><\/span><\/p>\n<p style=\"text-align: center;\" align=\"justify\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-27845 size-large\" src=\"https:\/\/hojassueltas.es\/wp-content\/uploads\/2026\/03\/Centenario-de-la-Generacion-del-27-1-1050x315.png\" alt=\"\" width=\"696\" height=\"209\" srcset=\"https:\/\/hojassueltas.es\/wp-content\/uploads\/2026\/03\/Centenario-de-la-Generacion-del-27-1-1050x315.png 1050w, https:\/\/hojassueltas.es\/wp-content\/uploads\/2026\/03\/Centenario-de-la-Generacion-del-27-1-300x90.png 300w, https:\/\/hojassueltas.es\/wp-content\/uploads\/2026\/03\/Centenario-de-la-Generacion-del-27-1-768x230.png 768w, https:\/\/hojassueltas.es\/wp-content\/uploads\/2026\/03\/Centenario-de-la-Generacion-del-27-1-1536x461.png 1536w, https:\/\/hojassueltas.es\/wp-content\/uploads\/2026\/03\/Centenario-de-la-Generacion-del-27-1-150x45.png 150w, https:\/\/hojassueltas.es\/wp-content\/uploads\/2026\/03\/Centenario-de-la-Generacion-del-27-1-696x209.png 696w, https:\/\/hojassueltas.es\/wp-content\/uploads\/2026\/03\/Centenario-de-la-Generacion-del-27-1-1068x320.png 1068w, https:\/\/hojassueltas.es\/wp-content\/uploads\/2026\/03\/Centenario-de-la-Generacion-del-27-1-1920x576.png 1920w, https:\/\/hojassueltas.es\/wp-content\/uploads\/2026\/03\/Centenario-de-la-Generacion-del-27-1.png 2000w\" sizes=\"auto, (max-width: 696px) 100vw, 696px\" \/><\/p>\n<p align=\"justify\"><span style=\"font-size: large;\"><span style=\"font-family: Liberation Serif, serif;\">En <\/span><strong><span style=\"font-family: Liberation Serif, serif;\">Hojas Sueltas<\/span><\/strong><span style=\"font-family: Liberation Serif, serif;\"> iniciamos desde ahora, con tiempo y m\u00e9todo, un especial que se desplegar\u00e1 en <\/span><strong><span style=\"font-family: Liberation Serif, serif;\">16 entregas mensuales<\/span><\/strong><span style=\"font-family: Liberation Serif, serif;\"> desde <\/span><strong><span style=\"font-family: Liberation Serif, serif;\">abril de 2026, \u2014<\/span><\/strong><strong><span style=\"font-family: Liberation Serif, serif;\">nos permitimos incluir hijuelas<\/span><\/strong><\/span><span style=\"font-family: Lucida Sans;\"><span style=\"font-size: large;\"><span lang=\"hi-IN\"><strong><span style=\"font-family: Liberation Serif, serif;\">\u2014 <\/span><\/strong><\/span><\/span><\/span><span style=\"font-size: large;\"><span style=\"font-family: Liberation Serif, serif;\">y a lo largo de <\/span><strong><span style=\"font-family: Liberation Serif, serif;\">2027<\/span><\/strong><span style=\"font-family: Liberation Serif, serif;\">, para llegar al centenario no con prisa, sino con perspectiva. Queremos adelantarnos a la repetici\u00f3n de t\u00f3picos y proponer, en cambio, un itinerario legible y plural: el 27 como laboratorio cultural que desborda la poes\u00eda para tocar la escena, la m\u00fasica, el dise\u00f1o gr\u00e1fico, la fotograf\u00eda, las revistas, las tertulias, la pedagog\u00eda y las instituciones que hicieron posible aquella intensidad.<\/span><\/span><\/p>\n<p align=\"justify\"><span style=\"font-size: large;\"><span style=\"font-family: Liberation Serif, serif;\">Este especial no ser\u00e1 un pante\u00f3n, sino una <\/span><strong><span style=\"font-family: Liberation Serif, serif;\">constelaci\u00f3n<\/span><\/strong><span style=\"font-family: Liberation Serif, serif;\">. Volveremos a los nombres can\u00f3nicos, s\u00ed, pero tambi\u00e9n a las redes que los sostuvieron y a las voces que el relato dej\u00f3 en los m\u00e1rgenes. El 27 se entiende mejor cuando se mira con su infraestructura \u2014revistas, imprentas, editoriales, espacios de encuentro\u2014 y cuando se incorporan, sin condescendencia, las creadoras y agentes culturales que participaron de esa misma modernidad y que durante d\u00e9cadas quedaron fuera del encuadre.<\/span><\/span><\/p>\n<p align=\"justify\"><span style=\"font-size: large;\"><span style=\"font-family: Liberation Serif, serif;\">A lo largo de las entregas, <\/span><strong><span style=\"font-family: Liberation Serif, serif;\">publicaremos<\/span><\/strong><span style=\"font-family: Liberation Serif, serif;\">:<\/span><\/span><\/p>\n<ul>\n<li>\n<p align=\"justify\"><span style=\"font-size: large;\"><strong><span style=\"font-family: Liberation Serif, serif;\">Grandes art\u00edculos<\/span><\/strong><span style=\"font-family: Liberation Serif, serif;\"> de contexto (el \u201cmomento 1927\u201d, tradici\u00f3n y vanguardia, el papel de las revistas, el di\u00e1logo con otras artes).<\/span><\/span><\/p>\n<\/li>\n<li>\n<p align=\"justify\"><span style=\"font-size: large;\"><strong><span style=\"font-family: Liberation Serif, serif;\">Perfiles de autor y obra<\/span><\/strong><span style=\"font-family: Liberation Serif, serif;\"> (lecturas guiadas, cambios de registro, relaciones entre po\u00e9tica y biograf\u00eda sin mitificaci\u00f3n).<\/span><\/span><\/p>\n<\/li>\n<li>\n<p align=\"justify\"><span style=\"font-size: large;\"><strong><span style=\"font-family: Liberation Serif, serif;\">Piezas transversales<\/span><\/strong><span style=\"font-family: Liberation Serif, serif;\"> sobre <\/span><strong><span style=\"font-family: Liberation Serif, serif;\">artes pl\u00e1sticas y dise\u00f1o<\/span><\/strong><span style=\"font-family: Liberation Serif, serif;\">, <\/span><strong><span style=\"font-family: Liberation Serif, serif;\">m\u00fasica y oralidad<\/span><\/strong><span style=\"font-family: Liberation Serif, serif;\">, <\/span><strong><span style=\"font-family: Liberation Serif, serif;\">teatro y escena<\/span><\/strong><span style=\"font-family: Liberation Serif, serif;\">.<\/span><\/span><\/p>\n<\/li>\n<li>\n<p align=\"justify\"><span style=\"font-size: large;\"><span style=\"font-family: Liberation Serif, serif;\">Un bloque documental recurrente, <\/span><strong><span style=\"font-family: Liberation Serif, serif;\">\u201carchivo del mes\u201d<\/span><\/strong><span style=\"font-family: Liberation Serif, serif;\">, con portadas, cartas, fotograf\u00edas o recortes comentados.<\/span><\/span><\/p>\n<\/li>\n<li>\n<p align=\"justify\"><span style=\"font-size: large;\"><span style=\"font-family: Liberation Serif, serif;\">Un bloque de <\/span><strong><span style=\"font-family: Liberation Serif, serif;\">\u201clectura guiada\u201d<\/span><\/strong><span style=\"font-family: Liberation Serif, serif;\"> con fragmentos seleccionados y notas claras: leer bien es una forma de justicia.<\/span><\/span><\/p>\n<\/li>\n<li>\n<p align=\"justify\"><span style=\"font-size: large;\"><span style=\"font-family: Liberation Serif, serif;\">En 2027, abordaremos la <\/span><strong><span style=\"font-family: Liberation Serif, serif;\">fractura de 1936<\/span><\/strong><span style=\"font-family: Liberation Serif, serif;\">, el <\/span><strong><span style=\"font-family: Liberation Serif, serif;\">exilio<\/span><\/strong><span style=\"font-family: Liberation Serif, serif;\"> y las metamorfosis del legado: qu\u00e9 queda vivo, qu\u00e9 se simplific\u00f3, qu\u00e9 se discute hoy.<\/span><\/span><\/p>\n<\/li>\n<li>\n<p align=\"justify\"><span style=\"font-size: large;\"><span style=\"font-family: Liberation Serif, serif;\">Cerraremos con una <\/span><strong><span style=\"font-family: Liberation Serif, serif;\">antolog\u00eda comentada<\/span><\/strong><span style=\"font-family: Liberation Serif, serif;\"> propia y una <\/span><strong><span style=\"font-family: Liberation Serif, serif;\">gu\u00eda viva<\/span><\/strong><span style=\"font-family: Liberation Serif, serif;\"> con lugares, archivos y recursos para seguir leyendo y viendo el 27 en presente.<\/span><\/span><\/p>\n<\/li>\n<\/ul>\n<p align=\"justify\"><span style=\"font-size: large;\"><span style=\"font-family: Liberation Serif, serif;\">Lo que proponemos, en suma, es un dosier que sea a la vez <\/span><strong><span style=\"font-family: Liberation Serif, serif;\">serie<\/span><\/strong><span style=\"font-family: Liberation Serif, serif;\">, <\/span><strong><span style=\"font-family: Liberation Serif, serif;\">archivo<\/span><\/strong><span style=\"font-family: Liberation Serif, serif;\"> y <\/span><strong><span style=\"font-family: Liberation Serif, serif;\">herramienta<\/span><\/strong><span style=\"font-family: Liberation Serif, serif;\">: piezas disfrutables por separado, pero que juntas compongan un retrato coral. Un siglo despu\u00e9s, la pregunta no es solo qu\u00e9 fue la Generaci\u00f3n del 27, sino qu\u00e9 nos ense\u00f1a todav\u00eda sobre la relaci\u00f3n entre cultura y sociedad, entre forma e historia, entre imaginaci\u00f3n y libertad.<\/span><\/span><\/p>\n<p align=\"justify\"><span style=\"font-size: large;\"><span style=\"font-family: Liberation Serif, serif;\">Hojas Sueltas abre este especial a la conversaci\u00f3n. Invitamos a <\/span><strong><span style=\"font-family: Liberation Serif, serif;\">lectores, colaboradores, investigadoras e investigadores, editoriales e instituciones culturales<\/span><\/strong><span style=\"font-family: Liberation Serif, serif;\"> a proponer enfoques, documentos, lecturas y materiales. Queremos que el centenario del 27 sea tambi\u00e9n un espacio compartido: un dosier que crezca con aportaciones y miradas diversas. <\/span><\/span><\/p>\n<p align=\"justify\"><span style=\"font-family: Liberation Serif, serif;\"><span style=\"font-size: large;\">Aqu\u00ed empieza el camino.<\/span><\/span><\/p>\n<p align=\"justify\"><span style=\"font-family: Liberation Serif, serif;\"><span style=\"font-size: large;\"><b>Anxo do Rego<br \/>\n<\/b><\/span><\/span><span style=\"font-family: Liberation Serif, serif;\"><span style=\"font-size: large;\">\u00a0 \u00a0 \u00a0-Director-<\/span><\/span><\/p>\n<p align=\"justify\">\n<style>\n.hs27-wrap{ margin:18px 0; font-family:inherit; color:#4b2e1f; }<br \/>.hs27-box{<br \/>background:#f3e6d3;<br \/>border:1px solid rgba(75,46,31,.28);<br \/>border-radius:12px;<br \/>padding:18px;<br \/>margin:18px 0;<br \/>color:#4b2e1f;<br \/>}<br \/>.hs27-box h3,.hs27-box h4{ margin:0 0 10px; color:#4b2e1f; }<br \/>.hs27-box ul{ margin:10px 0 0 20px; }<br \/>.hs27-box a{ color:#4b2e1f; text-decoration:underline; text-underline-offset:3px; }<br \/>.hs27-quote{<br \/>border-left:4px solid #4b2e1f;<br \/>padding-left:14px;<br \/>margin:10px 0 14px;<br \/>font-style:italic;<br \/>}<br \/>.hs27-cta{<br \/>background:#f7eddc;<br \/>border:2px solid #4b2e1f;<br \/>border-radius:12px;<br \/>padding:18px;<br \/>margin:18px 0;<br \/>color:#4b2e1f;<br \/>}<br \/>.hs27-btns{ display:flex; gap:10px; flex-wrap:wrap; margin-top:10px; }<br \/>.hs27-btn{<br \/>display:inline-block;<br \/>background:#4b2e1f;<br \/>color:#f3e6d3 !important;<br \/>padding:10px 14px;<br \/>border-radius:999px;<br \/>font-weight:700;<br \/>text-decoration:none !important;<br \/>}<br \/>.hs27-btn:hover{ opacity:.92; }<br \/>.hs27-btn-outline{<br \/>background:transparent;<br \/>color:#4b2e1f !important;<br \/>border:2px solid #4b2e1f;<br \/>}<br \/>.hs27-hr{ border:none; border-top:1px solid rgba(75,46,31,.25); margin:14px 0; }<br \/><\/style>\n<\/p>\n<p><!-- ESPECIAL 27 | M\u00f3dulos (Editor cl\u00e1sico) --><\/p>\n<p align=\"justify\">\n<style>\n  .hs27-wrap{ margin:18px 0; font-family:inherit; color:#4b2e1f; }<br \/>  .hs27-box{<br \/>    background:#f3e6d3;<br \/>    border:1px solid rgba(75,46,31,.28);<br \/>    border-radius:12px;<br \/>    padding:18px;<br \/>    margin:18px 0;<br \/>    color:#4b2e1f;<br \/>  }<br \/>  .hs27-box h3,.hs27-box h4{ margin:0 0 10px; color:#4b2e1f; }<br \/>  .hs27-box ul{ margin:10px 0 0 20px; }<br \/>  .hs27-box a{ color:#4b2e1f; text-decoration:underline; text-underline-offset:3px; }<br \/>  .hs27-quote{<br \/>    border-left:4px solid #4b2e1f;<br \/>    padding-left:14px;<br \/>    margin:10px 0 14px;<br \/>    font-style:italic;<br \/>  }<br \/>  .hs27-cta{<br \/>    background:#f7eddc;<br \/>    border:2px solid #4b2e1f;<br \/>    border-radius:12px;<br \/>    padding:18px;<br \/>    margin:18px 0;<br \/>    color:#4b2e1f;<br \/>  }<br \/>  .hs27-btns{ display:flex; gap:10px; flex-wrap:wrap; margin-top:10px; }<br \/>  .hs27-btn{<br \/>    display:inline-block;<br \/>    background:#4b2e1f;<br \/>    color:#f3e6d3 !important;<br \/>    padding:10px 14px;<br \/>    border-radius:999px;<br \/>    font-weight:700;<br \/>    text-decoration:none !important;<br \/>  }<br \/>  .hs27-btn:hover{ opacity:.92; }<br \/>  .hs27-btn-outline{<br \/>    background:transparent;<br \/>    color:#4b2e1f !important;<br \/>    border:2px solid #4b2e1f;<br \/>  }<br \/>  .hs27-hr{ border:none; border-top:1px solid rgba(75,46,31,.25); margin:14px 0; }<br \/><\/style>\n<\/p>\n<div class=\"hs27-wrap\">\n<div id=\"indice-especial-27\" class=\"hs27-box\">\n<h3>\u00cdndice del especial (16 entregas)<\/h3>\n<ul>\n<li><strong>Entrega 1 (abril 2026)<\/strong> \u2014 1927: el gesto y el mito (esta)<\/li>\n<li><strong>Entrega 2 (mayo 2026)<\/strong> \u2014 El laboratorio del 27<\/li>\n<li><strong>Entrega 3 (junio 2026)<\/strong> \u2014 Tradici\u00f3n y vanguardia<\/li>\n<li><strong>Entrega 4 (julio 2026)<\/strong> \u2014 Lorca en plural<\/li>\n<li><strong>Entrega 5 (agosto 2026)<\/strong> \u2014 Alberti: registros y \u00e9pocas<\/li>\n<li><strong>Entrega 6 (septiembre 2026)<\/strong> \u2014 Cernuda: deseo y extranjer\u00eda<\/li>\n<li><strong>Entrega 7 (octubre 2026)<\/strong> \u2014 Salinas, Guill\u00e9n y D\u00e1maso Alonso<\/li>\n<li><strong>Entrega 8 (noviembre 2026)<\/strong> \u2014 Las Sinsombrero como relectura<\/li>\n<li><strong>Entrega 9 (diciembre 2026)<\/strong> \u2014 Artes pl\u00e1sticas y dise\u00f1o<\/li>\n<li><strong>Entrega 10 (enero 2027)<\/strong> \u2014 M\u00fasica y oralidad<\/li>\n<li><strong>Entrega 11 (febrero 2027)<\/strong> \u2014 Teatro y escena<\/li>\n<li><strong>Entrega 12 (marzo 2027)<\/strong> \u2014 1936: la fractura<\/li>\n<li><strong>Entrega 13 (abril 2027)<\/strong> \u2014 El exilio del 27<\/li>\n<li><strong>Entrega 14 (mayo 2027)<\/strong> \u2014 El 27 despu\u00e9s del 27<\/li>\n<li><strong>Entrega 15 (junio 2027)<\/strong> \u2014 Antolog\u00eda comentada Hojas Sueltas<\/li>\n<li><strong>Entrega 16 (julio 2027)<\/strong> \u2014 Gu\u00eda viva del centenario<\/li>\n<\/ul>\n<p style=\"margin-top: 10px;\"><a href=\"https:\/\/hojassueltas.es\/?page_id=27841\">Ir a la p\u00e1gina del especial<\/a><\/p>\n<\/div>\n<div class=\"hs27-box\">\n<h3>Cronolog\u00eda m\u00ednima<\/h3>\n<ul>\n<li><strong>A\u00f1os 20<\/strong> \u2014 revistas y vanguardias: la cultura se organiza en red.<\/li>\n<li><strong>1927<\/strong> \u2014 el gesto gongorino como s\u00edmbolo (tradici\u00f3n + modernidad).<\/li>\n<li><strong>1931<\/strong> \u2014 nuevo marco cultural durante la Rep\u00fablica.<\/li>\n<li><strong>1936<\/strong> \u2014 fractura: guerra, muerte, exilio, dispersi\u00f3n.<\/li>\n<li><strong>1939\u2013<\/strong> \u2014 el exilio como transformaci\u00f3n cultural y editorial.<\/li>\n<li><strong>Hoy<\/strong> \u2014 legado y relecturas: qu\u00e9 se canoniz\u00f3 y qu\u00e9 se olvid\u00f3.<\/li>\n<\/ul>\n<\/div>\n<div class=\"hs27-box\">\n<h3>Lectura guiada<\/h3>\n<h4>Federico Garc\u00eda Lorca<\/h4>\n<p><strong>Clave de lectura:<\/strong> lo popular no aparece como adorno, sino como forma de precisi\u00f3n r\u00edtmica y de intensidad emocional.<\/p>\n<div class=\"hs27-quote\">Verde que te quiero verde.<\/div>\n<p>Ese comienzo es casi una partitura: repetici\u00f3n, color, deseo. No describe: invoca. El verso condensa una modernidad hecha con materiales antiguos<br \/>\n\u2014estribillo, m\u00fasica, s\u00edmbolo\u2014 y muestra una clave del 27: elevar la tradici\u00f3n a laboratorio de imagen y tono sin perder el pulso popular.<\/p>\n<hr class=\"hs27-hr\" \/>\n<h4>Pedro Salinas<\/h4>\n<p><strong>Clave de lectura:<\/strong> claridad y precisi\u00f3n: el poema como conversaci\u00f3n \u00edntima donde la inteligencia afina la emoci\u00f3n.<\/p>\n<div class=\"hs27-quote\">Para vivir no quiero \/ islas, palacios, torres.<\/div>\n<p>La fuerza est\u00e1 en el rechazo de lo monumental para afirmar lo esencial. La enumeraci\u00f3n funciona como inventario de lo innecesario: el verso<br \/>\nbusca una verdad sencilla sin renunciar al rigor. Ese equilibrio entre emoci\u00f3n y arquitectura verbal es otra firma del 27: lo moderno, a veces, afina.<\/p>\n<\/div>\n<div class=\"hs27-cta\">\n<h3>Convocatoria abierta<\/h3>\n<p>Este especial se abre a colaboraciones. Si tienes una propuesta de art\u00edculo, una pista de archivo, una lectura comentada o materiales documentales<br \/>\n(con procedencia y permisos), nos encantar\u00e1 valorarlos para ampliar el mapa del 27.<\/p>\n<div class=\"hs27-btns\"><a class=\"hs27-btn\" href=\"https:\/\/hojassueltas.es\/?page_id=27813\">Enviar propuesta<\/a><br \/>\n<a class=\"hs27-btn hs27-btn-outline\" href=\"https:\/\/hojassueltas.es\/?page_id=27841\">Ver la p\u00e1gina del especial<\/a><\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>&nbsp; CIEN A\u00d1OS DE LA GENERACI\u00d3N DEL 27 Alrededor de 1927 un grupo de escritores y artistas \u2014m\u00e1s red que bloque, m\u00e1s conversaci\u00f3n que escuela\u2014 convirti\u00f3 la tradici\u00f3n en un artefacto moderno. Un siglo despu\u00e9s, la Generaci\u00f3n del 27 sigue siendo una de las grandes cajas de resonancia de nuestra cultura: por su ambici\u00f3n formal, [&hellip;]<\/p>\n","protected":false},"author":72,"featured_media":27802,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2223,3538],"tags":[],"class_list":["post-27799","post","type-post","status-publish","format-standard","has-post-thumbnail","category-editorial","category-el-27-leido-desde-hoy"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.7 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Cien a\u00f1os de la Generaci\u00f3n del 27 | 101-Editorial | HOJAS SUELTAS<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/hojassueltas.es\/?p=27799\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Cien a\u00f1os de la Generaci\u00f3n del 27 | 101-Editorial | HOJAS SUELTAS\" \/>\n<meta property=\"og:description\" content=\"&nbsp; CIEN A\u00d1OS DE LA GENERACI\u00d3N DEL 27 Alrededor de 1927 un grupo de escritores y artistas \u2014m\u00e1s red que bloque, m\u00e1s conversaci\u00f3n que escuela\u2014 convirti\u00f3 la tradici\u00f3n en un artefacto moderno. 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