{"id":24404,"date":"2025-10-27T00:00:05","date_gmt":"2025-10-26T22:00:05","guid":{"rendered":"https:\/\/hojassueltas.es\/?p=24404"},"modified":"2026-05-20T11:57:19","modified_gmt":"2026-05-20T09:57:19","slug":"imagen-palabra-sonido-escena","status":"publish","type":"post","link":"https:\/\/hojassueltas.es\/?p=24404","title":{"rendered":"Imagen, Palabra, Sonido, Escena"},"content":{"rendered":"
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\u00a9 C\u00edrculo de Bellas Artes de Madrid<\/span><\/strong><\/h3>\n

Centenario de ‘La deshumanizaci\u00f3n del arte e Ideas sobre la novela’<\/h3>\n

\u201cHoy quisiera hablar m\u00e1s en general y referirme [\u2026] a la m\u00fasica nueva, la nueva pintura, la nueva poes\u00eda, el nuevo teatro\u201d, escrib\u00eda Jos\u00e9 Ortega y Gasset al inicio de La deshumanizaci\u00f3n del arte e Ideas sobre la novela<\/em> (1925). Con motivo del centenario de la obra, estos di\u00e1logos tambi\u00e9n quieren hablar en general sobre los problemas actuales en torno a la Imagen, la Palabra, el Sonido y la Escena (IPSE). La actividad tendr\u00e1 lugar en el C\u00edrculo de Bellas Artes de Madrid, coincidiendo con la exposici\u00f3n Mart\u00edn Chirino. Memoria del C\u00edrculo.<\/p>\n

Precisamente, Chirino, el 12 de octubre de 2014, en su discurso de ingreso como acad\u00e9mico de honor electo a la Real Academia de las Bellas Artes de San Fernando, con el t\u00edtulo La f\u00e1bula del herrero destacaba la influencia para el desarrollo y el entendimiento de su obra de D. Jos\u00e9 Ortega y Gasset, rescatando una cita de El espectador en la que se encuentra uno de los debates en relaci\u00f3n al arte.<\/p>\n

\u201cHaz que me apoye en algo, dice seg\u00fan la amonestaci\u00f3n cl\u00e1sica la obra al autor. Haz que viva fuera de ti fornidamente, haz que sea yo misma una cosa, un \u00e1rbol, un edificio, una monta\u00f1a, un universo. Esto son, en realidad, las obras geniales: partes del mundo.\u201d<\/p>\n

Una cita controvertida, tanto en cuanto, aunque Chirino no la leyera al completo, contin\u00faa de la siguiente manera: \u201cPor el contrario, lo que claudica, lo vacilante e inacabado, no pudiendo mantenerse a plomo sobre sus pies, recostado perdura dentro del hombre o se agarra a las entra\u00f1as del individuo para no morir totalmente. Lo subjetivo, en suma, es el error\u201d, terminaba Ortega.<\/p>\n

Y precisamente de este tira y afloja entre lo subjetivo y lo objetivo en la creaci\u00f3n art\u00edstica encontraremos infinitud de puntos de debate y reflexi\u00f3n en estos di\u00e1logos, as\u00ed como en la obra de Mart\u00edn Chirino.<\/p>\n

Programa<\/h3>\n

Jueves 30 de octubre<\/em> \u2013 Sala Ram\u00f3n G\u00f3mez de la Serna<\/p>\n

IPSE imagen<\/strong><\/p>\n

Participan Antonio Altarriba (Premio Nacional del C\u00f3mic 2010 junto a Kim) y Sergio Garc\u00eda (Premio Nacional de Ilustraci\u00f3n 2022). Modera: Domingo Hern\u00e1ndez.<\/p>\n

Jueves 6 de noviembre <\/em>\u2013 Sala Ram\u00f3n G\u00f3mez de la Serna<\/p>\n

IPSE palabra<\/strong><\/p>\n

Participan Jos\u00e9 \u00c1ngel Gonz\u00e1lez Sainz (Premio Herralde de Novela 1995) y\u00a0Ana Rodr\u00edguez Fischer (Premio Caf\u00e9 Gij\u00f3n de Novela 2023). Modera: Cristina O\u00f1oro.<\/p>\n

Martes 11 de noviembre<\/em> \u2013 Sala Ram\u00f3n G\u00f3mez de la Serna<\/p>\n

IPSE sonido<\/strong><\/p>\n

Participan Alberto Bernal (compositor y artista sonoro) y Bego\u00f1a Lolo (Premio Nacional de Historia de Espa\u00f1a 2000). Modera: Antonio Notario.<\/p>\n

Mi\u00e9rcoles 19 de noviembre<\/em> \u2013 Sala Mar\u00eda Zambrano<\/p>\n

IPSE escena<\/strong><\/p>\n

Participan Nieves Mart\u00ednez de Olcoz (doctora en Filolog\u00eda Hisp\u00e1nica en la UCM y actriz y directora de escena) y Alberto Conejero (Premio Nacional de Literatura Dram\u00e1tica 2019 y dramaturgo). Modera: Margarita Garbisu.<\/p>\n

Lectura dramatizada. Acto final, El P\u00fablico, de Federico Garc\u00eda Lorca
\nPor LabEscena UCM (con Sonia S\u00e1nchez, Jos\u00e9 Francisco Garc\u00eda Prados, Iagova Veiga)<\/p>\n

 <\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

\u00a9 C\u00edrculo de Bellas Artes de Madrid Centenario de ‘La deshumanizaci\u00f3n del arte e Ideas sobre la novela’ \u201cHoy quisiera hablar m\u00e1s en general y referirme [\u2026] a la m\u00fasica nueva, la nueva pintura, la nueva poes\u00eda, el nuevo teatro\u201d, escrib\u00eda Jos\u00e9 Ortega y Gasset al inicio de La deshumanizaci\u00f3n del arte e Ideas sobre […]<\/p>\n","protected":false},"author":1,"featured_media":24405,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[32],"tags":[3546],"class_list":["post-24404","post","type-post","status-publish","format-standard","has-post-thumbnail","category-la-cultura-al-dia","tag-miscelanea"],"yoast_head":"\nImagen, Palabra, Sonido, Escena | HOJAS SUELTAS<\/title>\n<meta name=\"description\" content=\"PANORAMA CULTURAL= Centenario de 'La deshumanizaci\u00f3n del arte e Ideas sobre la novela' de J. 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